Friday, 23 January 2015

Ariana Grande

NAME Ariana Grande-Butera

WHAT FAMOUS FOR Pop singer, songwriter, and actress known for her four-octave vocal range, chart-topping hits, early Nickelodeon roles, and her starring role as Glinda in the 2024 film adaptation of Wicked.

BIRTH Ariana Grande-Butera was born on June 26, 1993, in Boca Raton, Florida. 

FAMILY BACKGROUND Grande is the daughter of Joan Grande, the Brooklyn-born CEO of Hose-McCann Communications, a manufacturer of marine communications equipment owned by the Grande family since 1964, and Edward Butera, a graphic design firm owner in Boca Raton. She is of Italian descent with Sicilian and Abruzzese roots. 

She has an older half-brother, Frankie Grande, who is a dancer, actor, and social media personality.

Her parents separated when she was eight or nine years old, an experience she later described as traumatic and identity-shaking.. 

She had a close relationship with her maternal grandmother, Marjorie Grande. 

CHILDHOOD Stage-obsessed from a young age, Grande performed with the Fort Lauderdale Children's Theater, playing her first role as the title character in the musical Annie. She also performed in their productions of The Wizard of Oz and Beauty and the Beast

At age eight, she performed at a karaoke lounge on a cruise ship and with various orchestras such as South Florida's Philharmonic, Florida Sunshine Pops and Symphonic Orchestras. 

At age 8, she sang "The Star-Spangled Banner" at the Florida Panthers' home game against the Chicago Blackhawks on January 16, 2002. 

At age ten, she co-founded the South Florida youth singing group "Kids Who Care," which performed for charitable fund-raising events and raised over half a million dollars for good causes in 2007 alone.

EDUCATION Grande attended Pine Crest School and later North Broward Preparatory School in Florida. Her favorite subject in school was science. 

Grande was once turned away by the teacher who ran her school’s choir club, Pine Crest’s Cool Cats Choir—a tidy origin story for a future pop powerhouse.

She left school to pursue her music career but continued to be enrolled so that her tutors could send her materials and help her study. She graduated in 2012.

CAREER RECORD 2008 Grande's career began at age 15 when she landed a role as Charlotte in the Broadway musical 13, earning her a National Youth Theatre Association Award. 

2010-14 She gained widespread recognition playing Cat Valentine in the Nickelodeon series Victorious (2010-2013) and its spinoff Sam & Cat (2013-2014). 

2013 Grande launched her music career launched in 2013 with her debut album Yours Truly,

APPEARANCE Grande is 5 feet tall (1.54 meters) and has a birthmark on her left shoulder and a dimple on her left cheek. Her natural hair is brown and curly, though she's famous for her signature high ponytail hairstyle. She has undergone some minor cosmetic procedures over the years.

Grande in 2013 by By Melissa Rose, 

FASHION Grande’s fashion journey has shifted dramatically as her career has unfolded. In her Nickelodeon era (2010–2012), she leaned into a playful, girlish aesthetic with strapless pink dresses and minimal makeup. By 2013–2014, sequins, florals, and other eye-catching details became part of her look, keeping things cute and artsy while adding a touch of flash. Between 2016–2017, her style grew darker, more glamorous, and overtly sultry. A turning point came in 2018, when stylist Mimi Cuttrell refined her image, blending her signature sweetness with polished sophistication and sex appeal.

Grande has cited Marilyn Monroe and Audrey Hepburn as enduring influences, and their echoes are visible in her more classic and red-carpet choices. For her Wicked era, she’s leaned heavily into Glinda-inspired fashion, donning custom pink-and-white plaid gowns by Thom Browne and blush-pink Schiaparelli creations encrusted with rhinestones. (1)

Her signature ponytail, once a practical solution to hide damage caused by years of bleaching her hair red for Nickelodeon, has since become her defining style marker. On Instagram, she admitted she wears extensions and the ponytail because her natural hair remains fragile. Alongside it, staples like over-the-knee boots, oversized hoodies, and a monochrome palette form the backbone of her offstage look, while vintage glamour and classic Hollywood silhouettes often shape her red-carpet presence.

CHARACTER Grande's personality is often described as bubbly, empathetic, and family-oriented. She has a strong work ethic and is also a public advocate for mental health and has been open about her struggles with anxiety and PTSD. Grande is resilient and known for turning personal turbulence into pop anthems.

SPEAKING VOICE Grande's speaking voice is often noted for its soft, breathy quality. This is a contrast to her powerful singing voice, which has a broad four-octave range and is known for its ability to handle complex vocal runs.

She is famous for celebrity impressions on talk shows and Saturday Night Live. 

Grande's speaking voice has been a subject of much discussion and controversy. She is known to change her vocal placement intentionally, explaining: "I intentionally change my vocal placement (high / low) often depending on how much singing I'm doing. I've always done this". This includes switching between a deeper, more natural voice and a higher, breathier tone. She attributes this to "habit (speaking like this for two years) and also vocal health" after spending extensive time playing Glinda in Wicked. She has defended this practice, noting that male actors are praised for similar voice changes for roles while women face different scrutiny. (2)

SENSE OF HUMOUR Grande is known for a playful and often sarcastic sense of humor. She frequently uses her social media to share humorous posts and has participated in comedy sketches, including her guest appearances on Saturday Night Live.

RELATIONSHIPS Grande's relationship history includes several high-profile romances. She was engaged to comedian Pete Davidson in 2018, purchasing a $16 million Chelsea apartment together before their relationship ended in October 2018. 

She married real estate agent Dalton Gomez in an intimate ceremony at her Montecito home on May 15, 2021. The couple separated in January 2023 and their divorce was finalized in March 2024, with Grande paying Gomez $1.25 million in the settlement. 

She started dating her Wicked co-star Ethan Slater, a relationship that began during filming and sparked controversy as both were married to other people at the time.

MONEY AND FAME Grande has a net worth in the hundreds of millions.  Her wealth comes from music sales, tours, acting roles, endorsement deals with brands like Reebok, Starbucks, and American Express, and her beauty lines including R.E.M. Beauty and fragrance collections.

When she  starred as Glinda in Wicked (2024), reportedly earning $15 million for the role, which became the highest-grossing musical adaptation film of all time.

FOOD AND DRINK Grande has been vegan since 2013, stating "I am a firm believer in eating a full plant-based, whole-food diet that can expand your life length and make you an all-around happier person".  (3)

Grande follows a macrobiotic Japanese-influenced diet, and eats at least five strawberries daily and snacks on almonds and cashews. She typically has oatmeal or smoothies for breakfast, sushi for lunch, and healthy salads with seeds or nuts for dinner. She drinks coconut water regularly. (4)

She's hypoglycemic, which means her blood sugar can drop rapidly without enough protein and fat. 

ACTING CAREER Ariana Grande’s acting career is a little like one of those scenic rail journeys you don’t expect to amount to much at first, but then you look up and suddenly you’re gliding past the Alps. It begins modestly enough, with a 15-year-old Grande on Broadway in 13 (2008), belting her way through the role of Charlotte and collecting a National Youth Theatre Association Award for her troubles. It was the sort of debut that makes critics write things like “one to watch,” which usually means they’ll forget about you in three weeks, but in her case it actually stuck.

Then came Nickelodeon, where Grande became Cat Valentine in Victorious (2010–13) and later Sam & Cat (2013–14). Cat was ditzy, loveable, and shrill in a way that made teenagers squeal and parents look for the aspirin. The part gave Grande her first national platform and proved she had a natural instinct for comedy, even when saddled with dialogue written for 11-year-olds.

By the mid-2010s she was branching out, as actors do when they realise they might be on television forever otherwise. There was a stint as Penny Pingleton in NBC’s live production of Hairspray (2016), some guest spots in things like Scream Queens (2015), and the usual sprinkling of Nickelodeon movies designed primarily to sell soundtracks.

But the true summit arrived with Wicked (2024). Directed by Jon M. Chu, the film adaptation cast Grande as Glinda the Good Witch opposite Cynthia Erivo’s Elphaba. She didn’t coast in on her pop fame, either. Grande auditioned five times, retrained herself in acting, and more or less willed her way into the role. And it paid off.

The film premiered in November 2024, and suddenly the world was forced to talk about Ariana Grande not as “the singer who acts a bit,” but as “the actress who can really, actually act.” Critics praised her comic timing, her ability to be both silly and touching in the same breath, and of course that voice, which is never less than thunderous when required. She earned an Oscar nomination for Best Supporting Actress and a Golden Globe nod to boot.

In short, she managed to do the very thing no one thought she could: she reframed herself. And that, if you think about it, is rather Glinda-like.

MUSIC CAREER Ariana Grande’s music career is the sort of improbable, rocket-like ascent that usually only happens in fairy tales, or occasionally in Florida. She began, as all good prodigies do, in local theatre—belting songs in children’s productions before she was tall enough to see over the orchestra pit. By eight she had a voice that could peel paint, and by fifteen she was on Broadway in 13, proving she was destined for much bigger things than the Boca Raton community stage. Nickelodeon soon came calling, and with Victorious (2010–13) and Sam & Cat (2013–14), Grande gathered a ready-made fan base of excitable tweens who would, a few years later, become her loyal army of Arianators.

Her breakthrough as a recording artist was almost ridiculously smooth. After uploading cover songs to YouTube, she landed a contract with Republic Records, and in 2013 released Yours Truly. It was sugary R&B-inflected pop, equal parts Mariah Carey and Whitney Houston, and it went straight to No. 1 on the Billboard 200. The single “The Way,” featuring Mac Miller, shot to the top of iTunes in just seven hours—something even seasoned pop stars would kill for. 

From there, the albums came in a steady drumbeat of chart domination:

My Everything (2014) gave the world “Problem,” and  “Break Free,”  and earned her a Grammy nod.

Dangerous Woman (2016) turned up the glamour and edge, producing slinky hits like “Into You” and “Side to Side.

Sweetener (2018) won her a Grammy, courtesy of songs like “No Tears Left to Cry” and “God Is a Woman.”

Thank U, Next (2019) was her cultural supernova, home to “7 Rings” and the title track, and it made her the first solo artist in history to occupy the top three spots on the Billboard Hot 100—a feat previously achieved only by The Beatles.

Positions (2020) added more sultry R&B influences and, naturally, debuted at No. 1 in both the US and UK.

Collaborations were another feature of her rise: she’s teamed up with everyone from Nicki Minaj to Lady Gaga (on the Grammy-winning “Rain On Me”), Justin Bieber (“Stuck With U”), and The Weeknd. Her tours—The Honeymoon Tour, Dangerous Woman Tour, and Sweetener World Tour—were globe-spanning affairs that made hundreds of millions and left entire stadiums hoarse from screaming.

Then came tragedy in 2017: the Manchester Arena bombing during her Dangerous Woman Tour. Grande responded by returning within two weeks to lead the One Love Manchester benefit concert, which raised $23 million and demonstrated both her resilience and the peculiar way pop music can unite people in the bleakest of times.

Today she sits in the Guinness World Records with over thirty entries to her name, boasts a four-octave range with a whistle register that could summon bats, and commands the kind of cultural influence that makes entire generations copy her hairstyle. If her story has a moral, it’s this: never underestimate a child theatre kid from Florida—because sometimes they grow up and outdo The Beatles.

MUSIC AND ARTS Grande enjoys Japanese pop culture and has been spotted shopping in Harajuku and indulging in Japanese cultural experiences. Her music incorporates various influences, including R&B, pop, and Japanese-inspired elements.

LITERATURE Grande is known to cite poetry and empowering self-reflection in lyrics and posts; gravitates toward diaristic writing in albums like Thank u, Next and Eternal Sunshine.

Grande is a huge fan of the Harry Potter series, with favorite characters being Luna Lovegood and Draco Malfoy. Several of her dogs are named after Harry Potter characters.

Grande once encouraged her fans on Twitter to "take breaks n read books … you'll feel so much better, your brain will thank u". She has been featured in various literary matchups with her songs being paired with book recommendations.

Grande has shared some of her favorite books over the years, which include: The Alchemist by Paulo Coelho; The Little Prince by Antoine de Saint-Exupéry; The Secret History by Donna Tartt; The Fault in Our Stars by John Green. (5)

NATURE Grande is animal-loving and vocal about animal welfare; enjoys time with her rescue pets and advocates adoption.

PETS Grande is a devoted dog lover with 9-10 dogs. As at 2025, her dogs included Coco (German Shepherd-Dachshund mix, adopted 2010), Toulouse (Beagle-Chihuahua mix, adopted 2013), Ophelia (chocolate Labradoodle, adopted 2013), Sirius Black (Poodle mix, adopted 2015), Pignoli (Beagle-Chihuahua mix, gifted 2017), and others named Cinnamon, Fawkes, Strauss, Lafayette, and Myron. 

She co-founded the non-profit Orange Twins Rescue to help find rescue dogs their forever homes.

Grande has also had goats named Mari and Heir, and a teacup pig named Piggy Smallz.

Ariana is allergic to cats, which is ironic as her Victorious character loved them. 

HOBBIES AND SPORTS Grande enjoys playing Monopoly online with strangers, claiming to be on level 80. She also plays virtual farming games on her iPad. 

A lifelong hockey fan via South Florida roots, she made team history in a way no one would envy: the very first person struck by a puck in the Panthers’ then-brand-new arena was a 5-year-old Ariana Grande. It happened not once, but twice, during the inaugural regular-season game at the BB&T Center in 1998. First, a stray shot from defenseman Gord Murphy clipped her wrist, and then, as if fate was testing her mettle, another puck came flying in from an anonymous Tampa Bay player. If hockey fandom is measured by sacrifice, Ariana Grande was inducted early.

In 2018, while nursing a very public breakup with comedian Pete Davidson, she prescribed herself a bit of retail therapy and marched into Tiffany’s with six friends in tow. Rather than simply browsing the cabinets, she bought them all matching rings. From that shopping trip emerged “7 Rings,” a song that not only topped charts but transformed a bout of sadness into one of the defining pop anthems of the decade.

SCIENCE AND MATHS Grande is a self-described science nerd. Her favorite Instagram feed is @NASA for its astonishing space imagery.

PHILOSOPHY & THEOLOGY Grande was raised Catholic but distanced herself from the church after learning about their stance on her gay brother. She briefly practiced Kabbalah with her brother but appears to have moved toward a more general spiritual approach. She describes her spirituality as "watching your intentions" and "not giving into your ego". (8)

Grande has referenced religious imagery in her music, including "God is a Woman".

POLITICS Grande is politically active and outspoken about her beliefs. She supported Hillary Clinton in the 2016 election and has advocated for various causes including Black Lives Matter, LGBTQ+ rights, and gun control reform. She performed at benefit concerts for Charlottesville and participated in March For Our Lives. Grande believes artists should use their platforms to educate and push boundaries, stating: "Not everyone is going to agree with you, but that doesn't mean I'm just going to shut up and sing my songs". (9)

SCANDAL Grande has faced public scrutiny and scandal throughout her career. Notable events include the "doughnut-gate" incident in 2015, where she was caught on video licking doughnuts on a shop counter and saying she "hates Americans," for which she later apologized. 

Her relationship with Ethan Slater sparked controversy as both were married when they began dating, leading to accusations of being a "homewrecker"

She has also dealt with criticism for allegedly demanding behavior and specific interview requirements. Grande typically follows with apology and course-correction.

MILITARY RECORD Grande herself has no military record, but her grandfather Frank enlisted in the U.S. Army on June 30, 1942, and served during World War II.

HEALTH AND PHYSICAL FITNESS Grande is hypoglycemic, requiring careful attention to protein and fat intake to maintain blood sugar levels. She works out three times a week with trainer Harley Pasternak, focusing on lower body and arm exercises. Her routine includes curtsy lunges, deadlifts, planks, and glute bridges. She maintains an active lifestyle, walking 12,000+ steps daily. She attributes her improved health to her vegan diet, claiming it has made her work life easier to manage. (10)

Grande publicly discussed PTSD after the Manchester Arena attack.

HOMES Grande has owned several impressive properties. She purchased a $16 million Zaha Hadid-designed apartment in Chelsea, Manhattan in 2018. In 2020, she bought a $13.7 million contemporary home in Hollywood Hills with an infinity pool and wine cellar. She also owned the historic Porter House in Montecito, California (purchased from Ellen DeGeneres for $6.75 million, later sold for $9.1 million), where she married Dalton Gomez in 2021. She currently owns an $8.9 million Bird Streets cottage and a $4.9 million house purchased from Cameron Diaz. 

TRAVEL Due to her career as a touring musician, Grande travels extensively for concerts, appearances, and promotions. She has also vacationed in places like Colorado (staying at the Pulitzer Mansion in Telluride), Disney World, Las Vegas, and Myrtle Beach.

APPEARANCES IN MEDIA Beyond her own music videos and tours, Grande has appeared in several films and television shows. Key appearances include her roles in Victorious, Sam & Cat, and Scream Queens. She has also voiced characters in animated films like Snowflake, the White Gorilla and Underdogs. She has been a musical guest and host on Saturday Night Live and a coach on The Voice.

Grande has appeared in documentaries about her tours and has her own YouTube docuseries Dangerous Woman Diaries.

ACHIEVEMENTS Historic Hot 100 sweep of the top three positions (February 23, 2019).

Returned to the stage within two weeks of the Manchester bombing to lead One Love Manchester, raising $23 million; named the first honorary citizen of Manchester.

Her tweet after the bombing — “broken, I am so sorry. I don’t have words” — briefly became the most-liked tweet in history.

Multiple Grammys, #1 albums and singles, billions of streams, and a global fan community—the Arianators.

Sources (1) Enonline (2) Kiss 951 (3) Vegan Food and Living (4) Body Network (5) Venture Book Club (6) Songfacts (7) Encyclopaedia of Trivia (8) Believe Out Loud (9) CNN (10) Women's Health

Monday, 19 January 2015

Kenneth Grahame

NAME Kenneth Grahame

WHAT FAMOUS FOR Author of The Wind in the Willows (1908), a classic of children’s literature blending fantasy, nostalgia, and Edwardian idylls.

BIRTH Born on March 8, 1859 at 32 Castle Street, Edinburgh, Scotland. He was the third of four children born to James Cunningham Grahame, a lawyer and advocate, and Elizabeth (Bessie) Ingles Grahame.

FAMILY BACKGROUND Grahame could trace his roots to Robert the Bruce. His father, James Cunningham Grahame (1830-1887), was a Scottish advocate and sheriff-substitute. His mother, Elizabeth Ingles (1837-1864), died of scarlet fever when Kenneth was five years old. He had three siblings: older sister Helen, older brother Thomas William (Willie), and younger brother Roland.

CHILDHOOD When Grahame was little more than a year old, his family moved to Inveraray on Loch Fyne in Argyllshire, where his father had been appointed sheriff-substitute. After his mother's death in March 1864, Kenneth also contracted scarlet fever but recovered, though he was left vulnerable to chest infections for the rest of his life. 

His father, unable to cope and descended into alcoholism, sent the four children to live with their maternal grandmother at The Mount in Cookham Dean, Berkshire. These years with "Granny Ingles" on the banks of the River Thames provided lasting inspiration for his later writing. 

In 1866, the children briefly returned to Scotland to live with their father, but the arrangement failed and they returned to England in 1867.

His childhood was marked by loss and instability, leaving him emotionally detached and “armour-plated.” Grahame daydreamed often, imagining “golden realms… golden lagoons and parrot-haunted jungles,” doodling boats and birds, and finding comfort in the sound of water. (1)

EDUCATION In 1868, when he was nine years old, Grahame became a boarder at St Edward's School in Oxford. He was highly successful both academically and in sport, winning prizes for divinity and Latin in 1874 and the sixth form prize in 1875. He also captained the rugby fifteen and became head boy. 

Despite his academic excellence and desire to attend Oxford University, his uncle John Grahame refused to pay for university on grounds of cost.

CAREER RECORD In 1879, Grahame accepted a position as a 'gentleman clerk' at the Bank of England in London after writing an essay on India for his application. Despite his disappointment at not attending university, he rose steadily through the ranks, eventually becoming Secretary of the Bank of England in 1898 (third in command)—one of their youngest appointees. He retired in 1908 due to ill health, though his retirement was also precipitated by a shooting incident in 1903.

APPEARANCE Kenneth Grahame grew up to be "a handsome man, charming yet elusive and rather awkward in society". He was described as "tall, broad shouldered and lean" and "eminently a 'man's man'". 

His London neighbour, painter Graham Robertson, observed: "As he strode along the pavements one felt to him as towards a huge St. Bernard or Newfoundland dog, a longing to take him away into the open country where he could be let off the lead...He was too big for London and it hardly seemed kind of fate to keep him there". (2) 

Grahame in 1910

FASHION He dressed in the typical formal attire of a Victorian-era bank official, including tailored suits and waistcoats.

Grahame was particular about his surroundings. His flat in Bloomsbury Street was "meticulously arranged according to his ideal of 'little rooms, full of books and pictures and clean of the antimacassar taint'". He had "exquisite taste" in the arrangement of his furniture.  (2)

CHARACTER Grahame was shy, private, and reserved, preferring solitude to social interaction. He had a great love for the countryside and a deep appreciation for the simple pleasures of life, which is reflected in his writing.

He disliked intimacy, finding it filled him with “distaste, fear, even astonishment.” Grahame valued independence, solitude, and imagination. (1)

SPEAKING VOICE His voice was soft, understated and precise matching his quiet personality.

When Grahame visited Cornwall, he developed such an authentic Cornish accent that he was once mistaken for a local fisherman—"apparently, he imitated the Cornish accent perfectly—one unfortunate visitor believing that he had actually spoken to a real, live Cornishman!". (3)

SENSE OF HUMOUR Grahame's writing was characterized by gentle humour and whimsical observations. The Wind in the Willows features British-style humour and sarcasm rather than American humour. He enjoyed parodying Edwardian manners through the antics of his animal characters like the boastful Toad.

RELATIONSHIPS In 1897, Grahame met Elspeth (Elsie) Thomson, daughter of Robert William Thomson (inventor of the pneumatic tyre). Despite being awkward around women and successfully evading previous romantic entanglements, he married Elspeth on July 22, 1899 at the Church of St Fimbarrus, Fowey, Cornwall. His sister Helen disapproved of the marriage, thinking the couple were temperamentally unsuited, and became estranged from Kenneth. 

The marriage was strained, partly due to his reserved nature and her more social personality.

Their only child, Alastair (nicknamed "Mouse"), was born prematurely in 1900 with a congenital cataract that left him blind in one eye and other health problems. Mr Toad was partly modeled on Alastair’s spoiled, headstrong personality.

In May 1920, just before his twentieth birthday, Alastair's body was found on the railway line near a level crossing in Oxford. Although the official verdict was accidental death, his passing is widely considered to have been by suicide. This tragedy deeply affected Kenneth and his wife, Elspeth

His literary circle included his cousin Anthony Hope (author of The Prisoner of Zenda) who served as best man at his wedding.

MONEY AND FAME Grahame achieved financial security through his banking career and literary success. He received royalties from his published works, and his will established the Kenneth Grahame Fund, to which all his royalties were given, serving as the primary purchasing fund for the Bodleian Library at Oxford University.

Grahame was never a man who sought fame. His literary success, particularly with The Wind in the Willows, brought him renown, but he remained a private individual.

FOOD AND DRINK Grahame was fond of hearty Edwardian fare and picnics—cold chicken, pressed beef, cress sandwiches, jellies, trifles, ginger beer and champagne feature in his writing. Later in life, he ate and drank to excess. During his visits to Cornwall, he acquired a taste for local cuisine, including starry gazy pie.

Grahame was particular about his coffee, always having it freshly ground. (2)

MUSIC AND ARTS Grahame was a patron of the arts and had a circle of literary and artistic friends. He was published in magazines edited by William Ernest Henley (the model for Long John Silver). His books were illustrated by Aubrey Beardsley.

His work influenced later artistic adaptations, including A.A. Milne's theatrical adaptation Toad of Toad Hall (1929) and Disney's animated films.

Grahame had interests in theatre and collected toys and automata. (4)

WRITING CAREER Kenneth Grahame’s writing career had one of those delightfully unlikely trajectories, beginning as a sideline to a perfectly respectable job at the Bank of England and ending with one of the most beloved children’s books ever written. It’s the sort of story that makes you think there’s hope for all of us with office jobs and secret notebooks.

In December 1888, while still crunching numbers at the Bank, Grahame slipped his first essay into the pages of the St James’s Gazette. To his own surprise (and possibly to the surprise of his colleagues, who had assumed he was only good for ledgers), he was rather good at it. Before long he was a regular contributor to magazines with reassuringly Victorian names like the National Observer and the St. Edward’s Chronicle. Even the famously decadent Yellow Book carried his work, which suggests he had range. His first proper book, Pagan Papers (1893), was a collection of wistful essays about lost childhood and English landscapes. It even featured illustrations by Aubrey Beardsley, who was about as far from the Bank of England as it was possible to get.

By the mid-1890s Grahame had found his stride with The Golden Age (1895) and Dream Days (1898). These books were full of gently humorous and affectionate portraits of childhood, the sort of thing that critics at the time lapped up with their tea and scones. Dream Days also gave the world “The Reluctant Dragon,” a story about a poetry-loving dragon who would much rather write verse than fight knights. It has been charming children ever since, and has the added bonus of being far easier to read aloud than anything by Beardsley.

THE WIND IN THE WILLOWS (1908) And then came The Wind in the Willows. Published on October 8, 1908, after Grahame retired from the Bank (possibly because he could no longer concentrate on finance when mole holes beckoned), the book began life as bedtime stories and letters for his son, Alastair. The result was a tale of Ratty, Mole, Badger, and the irrepressible Mr. Toad, stitched together into a narrative that combined lyrical prose, slapstick adventure, and an almost suspicious amount of picnicking. Initially dismissed by some reviewers—one sniffed that its contribution to natural history was “negligible”—the book somehow endured, and today it’s practically impossible to imagine English literature without it.

Grahame never matched The Wind in the Willows, but he did edit The Cambridge Book of Poetry for Children (1916), which is the sort of thing that tends to gather dust on library shelves until rediscovered by a sentimental adult. He was admired in his own day by people like Algernon Swinburne and Anthony Hope , which is not bad company for a man who had started out scribbling between banking duties.

Grahame published little after his son’s tragic death in 1920, but his legacy is secure. The Wind in the Willows remains a cornerstone of children’s literature, its characters endlessly recycled in plays, films, and cartoon versions. There was never a sequel, which is probably just as well, because sequels usually disappoint. Instead, Grahame left behind a single, timeless masterpiece—a vision of Edwardian England full of riverbanks, caravans, wild woods, and enough food-laden picnics to make you long for a cold chicken leg and a glass of champagne.

LITERATURE Grahame was deeply influenced by ancient writers such as Homer, whose character Odysseus inspired Toad in The Wind in the Willows through themes of adventure and clever escape. Grahame also drew inspiration from Greek mythology, particularly Pan, at the heart of some of his work’s most mystical passages.

He loved the poetry of William Wordsworth, especially “Ode: Intimations of Immortality from Recollections of Early Childhood,” which celebrated the transcendence and fading magic of youth. His wife Elspeth remarked that Grahame’s work was “posited upon the opening stanza of that great ode of Wordsworth”. (5)

Romantic themes—loss of childhood innocence, appreciation for nature, and imaginative escapism—permeate both his fiction and essays

NATURE Grahame had an intense love of nature that survived three decades of London living. He spent weekends walking the hills and chalk paths of the Thames valley, deliberately returning to the landscape of his childhood. 

He was passionate about conservation and felt a deep connection to the natural world. 

The riverbank and woods in The Wind in the Willows reflect his weekend explorations of Berkshire and the Chilterns.

PETS Grahame had a special relationship with animals throughout his life that was unusual for adults. He believed that "every animal, by instinct, lives according to his nature. Thereby he lives wisely, and betters the tradition of mankind". The animals in his stories, such as Mole, Rat, and Badger, are anthropomorphic representations of the animals he observed and loved. (6) 

Mr Toad, Mole, Rat, and Badger

HOBBIES AND SPORTS  Grahame loved walking in the countryside, sketching, and solitary daydreaming. He enjoyed the quiet, contemplative life of an Edwardian bachelor before marriage.

Grahame enjoyed boating on the River Thames and took frequent holidays in Cornwall for sailing and fishing. 

He was an accomplished rugby player, captaining his school team.

Grahame collected toys and automata and had a study filled with his collections.

SCIENCE AND MATHS Grahame's precise observations of nature and animal behavior in his writing suggest careful study of the natural world.

PHILOSOPHY & THEOLOGY Grahame’s writing carries a distinct strain of literary paganism and pantheism, blending reverence for nature with mythic overtones. This is most vividly expressed in the Wind in the Willows chapter “The Piper at the Gates of Dawn,” where Rat and Mole encounter the god Pan in a moment of mystical awe. 

The Piper at the Gates of Dawn, frontispiece to a 1913 edition by Paul Bransom

His grandmother’s stern religiosity had left him with, as he put it, “a dread of the shadow of Scotch-Calvinist devil worship,” and in reaction his work leaned toward a gentler, nature-infused spirituality.  (2)

Central to his philosophy was the conviction that childhood wonder and imagination mattered more than the rationality of adulthood. For Grahame, children embodied innocence and independence, while adults were, in his memorable phrasing, “hopeless and incapable.” (1)

POLITICS Grahame was involved with Christian Socialist causes, helping at the Whitechapel Art Gallery and Toynbee Hall in the East End of London. However, he was generally apolitical and focused more on escapism from modern industrial society than on reform.

SCANDAL The most significant scandal involved a shooting incident at the Bank of England on  November 24, 1903, when George Robinson, described as "a Socialist Lunatic," fired three shots at Grahame, all of which missed. 

There was also "a whiff of scandal, never explained" that hung over his departure from the bank on half pension, with talk of "an acrimonious falling out with a fellow director". (7)

MILITARY RECORD Grahame served as a sergeant in the London Scottish Volunteers regiment, a territorial unit. This military involvement was part of his varied interests and social commitments during his banking career.

HEALTH AND PHYSICAL FITNESS Grahame suffered from respiratory problems throughout his life, stemming from his childhood bout with scarlet fever. As an adult, he was prone to attacks of gastritis and bronchial illness. His poor health ultimately led to his early retirement from the Bank of England in 1908.

HOMES Grahame lived at various locations throughout his life: The Mount in Cookham Dean with his grandmother (childhood), London flats during his banking career, Mayfield at Cookham Dene, Berkshire (1908), Boham's at Blewbury, Berkshire (1910-1924), and finally Church Cottage in Pangbourne, Berkshire (1924-1932), where he spent the last eight years of his life.

Grahame's birthplace in Castle Street in Edinburgh by Kim Traynor 

TRAVEL Grahame traveled extensively, particularly to Cornwall, where he first visited in 1884 and continued to return throughout his life for his honeymoon, holidays and recuperation. 

Following the death of their son Alastair in 1920, Kenneth Grahame and Elsie spent several years travelling, especially in Italy. This extended period abroad was marked by reclusiveness and a significant reduction in Grahame’s literary output; he wrote very little during these years. 

DEATH Kenneth Grahame died on July 6, 1932 at Church Cottage in Pangbourne, Berkshire, England, at the age of 73. He was buried in Holywell Cemetery in Oxford alongside his son Alastair. His cousin Anthony Hope wrote his epitaph: "To the beautiful memory of Kenneth Grahame, husband of Elspeth and father of Alastair, who passed the river on the 6th of July, 1932, leaving childhood and literature through him the more blest for all time".

His widow Elsie outlived him until 1946 and carefully edited the family archive to present a sanitized image.

APPEARANCES IN MEDIA The Wind in the Willows has been adapted numerous times for stage, film, and television. Notable adaptations include A.A. Milne's play Toad of Toad Hall (1929), Disney's animated films The Adventures of Ichabod and Mr. Toad (1949) and The Reluctant Dragon (1941),  the Cosgrove Hall stop-motion series (1984–1988).and the famous Disneyland ride "Mr. Toad's Wild Ride".

ACHIEVEMENTS Author of The Wind in the Willows, one of the most enduring classics of children’s literature.

Contributed significantly to fin-de-siècle literature with Pagan Papers and Dream Days.

Rose to Secretary of the Bank of England despite his modest beginnings.

Created Mr Toad, Mole, Ratty, and Badger—characters who remain cultural icons more than a century later.

Sources: (1) Eternal Boy: The Life of Kenneth Grahame (2018) by Matthew Dennison (2) Return of a Native (3) The Imaginative Conservative (4) Later Bloomer (5) Pints with Jack (6) The Temenos Academy (7) The Scotsman

Saturday, 17 January 2015

Martha Graham

NAME Martha Graham

WHAT FAMOUS FOR Martha Graham was an American modern dancer and choreographer, widely regarded as one of the most influential artists of the 20th century. She revolutionized dance with her innovative techniques and is considered the “Mother of Modern Dance.”

BIRTH Martha Graham was born on May 11, 1894, in Allegheny City, Pennsylvania (later to become part of Pittsburgh). She was born into the turn of the century industrial atmosphere that she would later remember as "spun entirely of evening and dark thread". (1)

FAMILY BACKGROUND Graham came from a 10-generation American family. Her father, Dr. George Graham, was a physician who specialized in mental diseases and nervous disorders—known in the Victorian era as an "alienist," an early form of psychiatrist. He was 15 years older than Martha's mother and was a third-generation American of Irish descent. 

Her mother, Jane Beers Graham, was a second-generation American of Irish, Scots-Irish, and English ancestry who claimed to be a tenth-generation descendant of Mayflower pilgrims. 

The family consisted of Martha, her parents, two younger sisters Mary and Geordie, and initially a brother William who died in infancy.

CHILDHOOD Martha was the eldest of the Graham daughters and grew up in a largely female household composed of her mother, maternal grandmother, and nanny Elizabeth Pendergrass. Elizabeth was interested in theater and helped fuel Martha's love of the arts by assisting the children in putting on plays. Martha's father taught her the fundamental principle that would guide her career: "Movement never lies. You will always reveal what you feel in your heart by what you do in your movement". This was, as Graham later claimed, her "first lesson as a dancer". The strict Presbyterian household provided discipline and self-restraint, which would later contrast with liberation through dance. 

When Martha was fourteen, the Graham family moved to Santa Barbara, California, for better air conditions due to her sister Mary's asthma. California became "a world of flowers, Oriental people, people with Spanish blood, a life completely different from our life in Pittsburgh. It became a time of light and freedom and curiosity". (1)

EDUCATION Graham attended the Cumnock School in Los Angeles

In 1911, at age seventeen, Martha attended her first dance performance, watching Ruth St. Denis perform at the Mason Opera House in Los Angeles. This experience was transformative: "From that moment on, my fate was sealed. I couldn't wait to learn to dance as the goddess did". (1)

In 1916, at the relatively late age of twenty-two for a beginning dancer, Martha began her formal dance education at the Denishawn School of Dancing and Related Arts in Los Angeles, founded by Ruth St. Denis and Ted Shawn. The school was the first professional dance institution in America that would produce a professional company. Graham remained at Denishawn until 1923, studying various dance techniques including folk, Asian, and Native American dances. By 1918, she had progressed to teaching at the school, and from 1919-1923, she performed with the Denishawn company.

CAREER RECORD 1923 Graham left Denishawn to become a featured dancer in John Murray Anderson's Greenwich Village Follies revue

1925 She was employed at the Eastman School of Music in Rochester, New York, where she taught and experimented with new forms of movement.

1926 On April 18, 1926, Graham debuted her first independent concert at the 48th Street Theatre in Manhattan, consisting of eighteen short solos and trios that she had choreographed. This date marks the founding of the Martha Graham Dance Company, making it the oldest dance company still in existence in America.

APPEARANCE Martha Graham stood just five feet three inches tall, but her presence on stage made her seem taller, almost towering. Slender yet sturdy, her body was deceptively strong, capable of meeting the grueling demands of her groundbreaking technique. She carried an austere elegance, with intense, angular features that she used to project raw emotion. Her disciplined physique and penetrating gaze gave her an appearance at once gaunt, powerful, and unforgettable.

Martha Graham c 1940 by Los Angeles Daily News

FASHION n her personal life, Graham had a classic and elegant style. On stage, she revolutionized dance costuming, moving away from the elaborate, flowing gowns of ballet. Her costumes used simple, stretchy fabrics like jersey to reveal and enhance the movement of the body. 

Graham had a keen eye for costume design and personally designed many of the costumes for her company. Some of her most famous costume designs included the "tube dress" for Ekstasis (1933) and the iconic jersey body cover in her solo Lamentation (1930). She collaborated with renowned costume designers including Edythe Gilfond, who designed costumes for works such as Every Soul is a Circus (1939) and Deaths and Entrances (1953).

Later in her career, Graham worked with legendary fashion designer Halston, who designed costumes for her Rite of Spring (1984) and Tangled Night (1986). She also collaborated with Calvin Klein, who designed costumes for what would become her last fully-choreographed ballet, Maple Leaf Rag (1990). These collaborations demonstrated Graham's lifelong understanding of the power of costume to enhance and reveal the dancer's body in specific ways. (2)

CHARACTER Graham was known for her fierce determination, intensity, and demanding nature. Graham was a perfectionist and a singular artistic visionary who commanded complete respect from her dancers. She was often described as being emotionally complex, both a creative genius and a sometimes difficult individual.

SPEAKING VOICE Graham possessed a charismatic and alluring voice. Deep and resonant, it had a certain authoritative cadence that held her audience's attention during lectures and interviews. She was known for speaking while dancing, a training methodology she used in the classroom where she taught students to unite voice with movement.

SENSE OF HUMOUR While often stern and demanding, Graham displayed a sharp wit and sense of humor. She was known for her "bitingly funny" remarks and had a talent for memorable quips. When asked about female impersonators, she referenced Mae West: "I've never really warmed to the idea of female impersonators, but then I sort of have to agree with Mae West, who said, 'What's wrong with it? Women have been doing it for years.'" (3)

She also displayed wit when describing her approach to ballet: "At the time I started in ballet they were dancing 'The Spirit of Champagne' on pointe, in Paris. I thought, 'I don't want to dance the spirit of champagne, I want to drink it!'"

RELATIONSHIPS Graham's most significant romantic relationship was with Erick Hawkins, the first permanent male dancer in her company who joined in 1938. Hawkins, who was fifteen years her junior, married Graham on September 20, 1948, in New York City. However, the marriage was troubled from the start, with Hawkins later calling it "a dumb mistake" citing the age difference and Graham's "jealous fury" over his success. They divorced in 1950 after two tempestuous years, though Hawkins continued to work with the company until 1951. (5)

After their professional separation, Hawkins went on to marry experimental composer Lucia Dlugoszewski secretly in 1962. 

Erick Hawkins

Graham never remarried but maintained close relationships with many powerful women throughout her life, including Eleanor Roosevelt, Jacqueline Kennedy Onassis, Ladybird Johnson, Betty Ford, and Barbara Bush. She also formed important friendships with female philanthropists including Bethsabée de Rothschild, Elizabeth Sprague Coolidge, and Lila Acheson Wallace.

MONEY AND FAME Throughout her career, Graham faced significant financial difficulties despite her international fame. The Martha Graham Center repeatedly struggled with debt and financial crises. In 1990, the company faced a $1.8 million deficit that prompted an unusually long two-month layoff. After Graham's death, financial problems continued, eventually leading to the temporary closure of the school and company in 2000 due to a $500,000 deficit.

Throughout her career, Graham was more celebrated for her artistic vision than her commercial success.  She received numerous awards and became a revered figure, but financial stability was a constant challenge.

FOOD AND DRINK Like many dancers, she adhered to a disciplined diet to maintain physical fitness. She enjoyed occasional indulgences but remained committed to health-conscious eating.

Graham struggled with alcohol, particularly in her later years. During the late 1960s, as her dancing abilities declined, she began drinking heavily and sank into deep depression after retiring from performing. She described this period: "I lost my will to live. I stayed home alone, ate very little, and drank too much and brooded". However, she eventually stopped drinking and returned to choreographing, creating ten more complete ballets before her death. (6)

DANCING CAREER Martha Graham’s career in dance lasted more than seventy years, which is rather astonishing when you stop to think about it. She began in 1916 at the Denishawn School in Los Angeles, run by Ruth St. Denis and Ted Shawn, two of the great eccentrics of early American dance, who specialized in exotic pageantry and spiritual uplift. Graham quickly became one of their stars, all the while absorbing the seriousness of their artistic mission. After leaving Denishawn in 1923, she had a curious stint with the Greenwich Village Follies—where high art met sequins and feathers—before settling into teaching and experimenting in New York at the Eastman School of Music and the John Murray Anderson School.

By 1926, she had had quite enough of following other people’s rules and founded her own dance company at Carnegie Hall, giving America its very first modern dance troupe. Out of this sprang the Graham Technique, based on the deceptively simple ideas of contraction and release, which turned out to be every bit as demanding as it sounds. Over the next decades she created nearly 180 works, drawing inspiration from modern painting, the American frontier, religious ceremonies of Native Americans, and Greek mythology. Many of her most important roles portrayed great women of history and mythology: Clytemnestra, Jocasta, Medea, Phaedra, Joan of Arc, and Emily Dickinson.

She was not content to work alone, either. Graham collaborated with composers like Aaron Copland, artists like Isamu Noguchi, and even fashion designers like Halston, producing enduring pieces such as Appalachian Spring, Frontier, Clytemnestra, and Errand into the Maze. She officially retired from dancing in 1970—though “retired” in her case meant she merely stopped hurling herself about the stage and focused instead on choreographing and teaching. She kept at it until her death in 1991.

Her company, the Martha Graham Dance Company, remains the oldest modern dance group in the United States, and her technique is still taught worldwide. In short, she didn’t just influence modern dance; she more or less invented it, then spent a lifetime proving that invention never had to stop.

MUSIC AND ARTS Graham collaborated with many of the greatest composers and artists of her time. Her most famous musical collaborations included working with Aaron Copland on Appalachian Spring (1944), one of her most celebrated works. She also worked extensively with Louis Horst, who served as her accompanist and music director from 1926 to 1948. Other notable composer collaborations included Samuel Barber, Robert Starer, William Schuman, and Gian Carlo Menotti.

In visual arts, Graham's most significant collaboration was with sculptor Isamu Noguchi, who designed over thirty-five sets for Graham works. She also worked with lighting designer Jean Rosenthal and costume designers including the legendary Halston. Graham's interdisciplinary approach influenced and was influenced by artists across all genres, demonstrating her belief that creativity crossed artistic boundaries.

LITERATURE Graham drew extensively from literary sources for her choreographic works. Her notebooks reveal frequent references to T.S. Eliot, Carl Jung, William Shakespeare, and Dante Alighieri. She was particularly drawn to Greek mythology and biblical texts, which formed the basis for many of her major works including Night Journey (based on the Oedipus myth) and Cave of the Heart.

Graham was also influenced by American poets, particularly Emily Dickinson, who inspired her ballet Letter to the World. Her connection to Walt Whitman's philosophy of physical expression and democratic ideals significantly shaped her conception of an American dance form that celebrated the body as a vessel for truth. She often quoted literary sources in her teaching and interviews, demonstrating her broad intellectual engagement with literature.

NATURE Graham had a profound connection to nature that deeply influenced her work and philosophy. Her technique was built on what she called "Earth-based imagery," cultivating a dual awareness of self and environment. She made the earth her touchstone and "reveled in the downward pull of gravity", in contrast to the airiness and elevation of ballet.

Her early work Frontier (1935) celebrated the American landscape and pioneer spirit, while Canticle for Innocent Comedians (1952) was described as her "great hymn to nature" and a work of "luminous strangeness" that paid homage to the elements—sun, moon, wind, Earth, water, and fire. Graham often used natural imagery and seasonal cycles in her choreography, viewing dance as a way to connect the human body to larger natural rhythms and forces.

HOBBIES AND SPORTS Graham's life was almost entirely devoted to dance. She did not have any widely documented hobbies or interests outside of her work and her close artistic collaborations.

Graham admired physical fitness regimens such as those promoted by Joseph Pilates, whose method she practiced and recommended.

SCIENCE AND MATHEMATICS Graham demonstrated a scientific approach to movement analysis and human anatomy. She developed an innovative anatomical approach to dance, integrating anatomic principles with movement to create safer dance practices. Her technique was built on careful observation of natural phenomena, including breathing patterns, muscular contractions, and the body's response to gravitational forces.

PHILOSOPHY & THEOLOGY Graham's philosophical outlook was shaped by multiple traditions. Raised in a strict Presbyterian household, she later rebelled against Puritan constraints on physical expression and developed what she called a "physical morality" that celebrated the body as a vessel for truth. She was influenced by Nietzschean philosophy, particularly his concept of revaluation of values, which she applied to American Puritanism. 

Graham incorporated Eastern philosophy, Buddhism, and Zen principles into her work. She was deeply influenced by Jungian psychoanalysis and often explored themes of the unconscious mind in her choreography. Her spiritual philosophy viewed dance as "a gesture toward the truth" and dancers as "athletes of God". She believed that "movement never lies" and that the body was the ultimate expression of inner truth. 

POLITICS  Graham's early works from the 1930s, including Chronicle (1936), demonstrated strong political themes and anti-fascist sentiments, and she famously declined an invitation from Adolf Hitler to perform at the 1936 Olympic Games in Berlin.   

Graham's political positioning evolved over time. In the 1930s, many of her peers were engaged in communist and leftist movements, and her works such as Immediate Tragedy and Deep Song (1936-1939) showed support for the Spanish Civil War. However, she generally remained distant from organized feminist social movements despite championing strong female archetypes in her work. 

Her work and career were deeply intertwined with American political and cultural diplomacy. During the Cold War, she and her company served as cultural ambassadors, performing in over thirty countries to promote American democratic values. 

President Gerald Ford awarding the Presidential Medal of Freedom to Martha Graham, 1976

SCANDAL One of Graham's most controversial works was Phaedra (1962), which was so sexually explicit that the House of Representatives condemned it as pornographic. The scandal demonstrated Graham's willingness to push boundaries and address taboo subjects through dance.

After Graham's death, major scandals erupted over control of her artistic legacy. Her heir, Ron Protas, became embroiled in legal battles with the Martha Graham Center, leading to his designation as "the most reviled man in dance" by The New York Times. The disputes involved financial mismanagement, unauthorized disposal of company documents, and questions about the legitimacy of Graham's will. These controversies resulted in the temporary closure of the Graham Center and School in 2000.

MILITARY RECORD Martha Graham had no military service but toured with her company to perform for troops and in U.S. cultural diplomacy efforts.

HEALTH AND PHYSICAL FITNESS  Graham's health was intrinsically linked to her identity as a dancer. She maintained extraordinary physical fitness throughout most of her life, continuing to perform until age 76. Graham was a devoted practitioner of Joseph Pilates’ “Contrology” method, which strengthened dancers’ bodies and aided recovery.  However, her later years were marked by declining health, including crippling arthritis that eventually prevented her from dancing.

During the late 1960s, Graham experienced severe depression and alcohol abuse following her retirement from performing. She described this period: "I lost my will to live. I stayed home alone, ate very little, and drank too much and brooded. My face was ruined, and people say I looked odd, which I agreed with. Finally my system just gave in. I was in the hospital for a long time, much of it in a coma". (6)

Graham eventually recovered from this crisis and stopped drinking, continuing to choreograph until her death. 

HOMES Graham's primary residence was in New York City, where she lived and worked for most of her career. From 1926, she worked from a small studio in Carnegie Hall. In 1952, she moved her operations to a studio on East 63rd Street, where she worked with her company until her death in 1991. This studio was demolished around 2000 to build a high-rise apartment house.

At the time of her death, Graham lived in her Upper East Side home, just a block away from the Martha Graham Center of Contemporary Dance. 

TRAVEL From 1955 to 1987, Graham and her company undertook numerous State Department cultural diplomacy tours during the Cold War, performing in over thirty countries across five continents. Her State Department tours included a significant 1955-1956 goodwill tour of Asia, visiting Japan, Indonesia, India, Pakistan, Iran, and Israel. These tours continued through 1987, covering over thirty countries across five continents during eight different presidential administrations.

Her final major tour was a 55-day journey throughout the Far East in Japan, Korea, and Taiwan, which concluded at Christmas 1990, shortly before her hospitalization and death. Graham approached these international performances with the philosophy: "I'm not interested whether they understand or not. I am only interested if they feel it". (3) 

DEATH Martha Graham died on April 1, 1991, at age 96 in her Manhattan home on the Upper East Side. The cause of death was listed as cardiopulmonary arrest due to congestive heart failure. She had been hospitalized with bronchitis for ten weeks prior to her death, following her return from the Far East tour.

Graham died peacefully according to her longtime companion Ron Protas, who reported that "she was very comfortable and she went peacefully". At the time of her death, she was still actively working on choreographic projects. 

Martha Graham requested that there be no funeral service after her death. Her ashes were spread over the Sangre de Cristo Mountains in northern New Mexico according to her wishes.

APPEARANCES IN MEDIA Graham appeared in several significant documentary films that captured her philosophy and technique. The most notable include A Dancer's World (1957), a documentary featuring Graham discussing her approach to dance and philosophy, and The Dancer Revealed (1994), which explored her life and career through rare archival footage and interviews with collaborators.

She was featured in various television programs and interviews, including a famous 1963 onstage interview with dance critic Walter Terry at the 92nd Street Y. Graham was also the subject of Richard Move's performance piece Martha@... The 1963 Interview, which recreated her voice and mannerisms with extraordinary accuracy.

In print media, Graham appeared on magazine covers and was featured in major publications throughout her career. TIME magazine named her "Dancer of the Century", and she was frequently profiled in dance publications and mainstream media as a cultural icon.

ACHIEVEMENTS Founder of the Martha Graham Dance Company (1929).

Creator of the Graham Technique, still taught worldwide.

Recipient of the Presidential Medal of Freedom (1976).

First dancer to perform at the White House.

Influenced countless dancers, choreographers, and artists.

Collaborated with major figures in music, art, and design.

Left a repertory of over 180 works.

Sources: (1) Google Arts & Culture (2) Mgdance (3) Dance magazine (4) Goodreads (5) Los Angeles Times (6) Late Fruit (7) Transtlantica

Friday, 16 January 2015

Billy Graham

NAME William Franklin “Billy” Graham Jr.

WHAT FAMOUS FOR An American evangelist who became one of the most influential Christian leaders of the 20th century, known for his worldwide crusades, close ties with U.S. presidents, and global impact on evangelical Christianity.

BIRTH Billy Graham was born on November 7, 1918, just four days before the Armistice ended World War I and exactly one year after the Communist Revolution in Russia. He was born in a frame farmhouse near Charlotte, North Carolina.

FAMILY BACKGROUND Graham was the eldest of four children born to William Franklin Graham Sr., a successful dairy farmer, and Morrow Coffey Graham. His father owned a 300-acre dairy farm where the family worked together. Graham's parents were devout Christians who instilled strong religious values in their children. His mother, Morrow, played a particularly influential role in his spiritual development, teaching him Scripture verses from as early as age four and conducting daily family devotions. 

The family maintained strict discipline, with both parents believing in corporal punishment when necessary. 

Graham's maternal grandparents, Dr. L. Nelson Bell and Virginia Leftwich Bell, were medical missionaries in China, which would later influence his global perspective on ministry.

CHILDHOOD Growing up during the Great Depression, Graham learned the value of hard work on the family dairy farm, but he also found time to become an avid reader, spending many hours in the hayloft reading books on various subjects. 

As a child, he was hyperactive, mischievous, and possessed what one physician described as being "built differently" due to his hyperkinetic energy. He teased his siblings, was easily distracted during church services (often shooting spitballs at women's hats), and got into scrapes with schoolmates. (1)

Despite being raised in a devout Christian household, Graham did not make a personal commitment to Christ until just before his 16th birthday. 

His childhood interests included baseball, and he idolized Babe Ruth.

EDUCATION After graduating from Sharon High School in 1936, Graham briefly attended Bob Jones College (now Bob Jones University) in Cleveland, Tennessee, for one semester but left due to the institution's extreme fundamentalism. He then transferred to Florida Bible Institute (now Trinity College of Florida) near Tampa, where he graduated in 1940 with a bachelor's degree in theology. During his time at Florida Bible Institute, Graham was ordained as a Southern Baptist minister in 1939. 

He continued his education at Wheaton College in Illinois, where he arrived in 1940 as a 21-year-old ordained minister but had to start as a second-semester freshman since most of his Florida Bible Institute credits were not accepted. At Wheaton, he studied anthropology and graduated in 1943 with a Bachelor of Arts degree. It was at Wheaton that he met his future wife, Ruth McCue Bell.

While in college, Graham practiced preaching alone on a river island, delivering sermons to birds, alligators, and cypress stumps. (2)

CAREER RECORD Worked as a Fuller Brush salesman after high school, becoming the top seller in North Carolina.

1937 First preached rushing through four memorized sermons in eight nervous minutes.

1943 Briefly served as pastor of The Village Church of Western Springs (now Western Springs Baptist Church) in Illinois

1945 Became the first full-time evangelist for Youth for Christ.

1947-1952, He served as president of Northwestern Schools in Minneapolis, Minnesota, 

1947 Led his first citywide crusade in Grand Rapids, Michigan (1947).

1949 Rose to national fame with his Los Angeles Crusade, where circus tents overflowed with crowds for weeks.

Throughout his career, Graham conducted 417 crusades in over 185 countries, with his largest audience being 1.1 million people in Seoul, South Korea, in 1973. 

2005 He retired from active crusading after his final New York Crusade.

APPEARANCE Billy Graham possessed the physical presence of a movie star, standing 6 feet 3 inches tall with a trim build of about 160 pounds in his youth. He had chiseled features, piercing blue eyes, and maintained his striking appearance throughout much of his ministry. His appearance was often noted by observers as contributing to his effectiveness as an evangelist, with his tall, lean frame and penetrating gaze adding authority to his message.

During his early ministry years, he was described as having a vigorous handshake and commanding physical presence that complemented his dynamic preaching style. 

Graham in 1966

FASHION Graham's clothing choices were deliberately understated, avoiding flashy or attention-grabbing attire that might detract from his spiritual message. He was almost always seen in a dark, well-tailored business suit, a crisp white shirt, and a conservative tie. This classic, understated style became a hallmark of his public persona. 

CHARACTER Billy Graham was widely admired for his humility, integrity, and authenticity. Though he achieved global fame, he kept the outlook of “just a farm boy from Mecklenburg County, North Carolina.” He often reminded himself of the donkey that carried Jesus into Jerusalem—believing the applause was for the message, not the messenger.  (3)

Graham's reputation for moral integrity set him apart from televangelists whose careers collapsed in scandal. In 1948, he and his team drafted the “Modesto Manifesto,” a code of conduct that emphasized financial transparency, cooperation with local churches, and strict personal boundaries—including never being alone with a woman other than his wife. 

Reporters in London described him as having a “dynamic sincerity,” and C.S. Lewis remarked that while Graham had many critics, none who knew him personally ever questioned his character.

SPEAKING VOICE Graham’s distinctive, commanding voice became a hallmark of his ministry. His preaching was marked by clarity and directness—delivering the Gospel without condescension—and energized by his trademark phrase, “The Bible says…”. 

Early in his career, his rapid speech and North Carolina accent made him self-conscious, but over time they became part of his recognizable style. 

His voice carried conviction and urgency, enabling him to connect with audiences across every educational and social background. Observers often said he communicated rather than simply preached.

 During the invitation portions of his crusades, Graham described sensing a unique presence and power of God—an experience so intense it left him physically drained.

SENSE OF HUMOUR Billy Graham maintained a gentle sense of humor throughout his life and ministry. He often used self-deprecating humor, famously joking about his golf game by saying, "The only time my prayers are not answered are on the golf course" and "God seems to answer my prayers everywhere except on the golf course!". 

Graham used humor strategically in his preaching, though he noted that in serious evangelistic settings, particularly when ministering to troops on the front lines, he would "dive right into the Gospel" without using humor to break the ice. (4)

RELATIONSHIPS Graham's most significant relationship was with his wife, Ruth McCue Bell, whom he married on August 13, 1943, shortly after their graduation from Wheaton College. Their ceremony took place at Montreat Presbyterian Church (also referred to as Gaither Chapel) in Montreat, North Carolina at 8:30 in the evening with a full moon in the sky. The wedding was officiated by Dr. John Minder, Graham's mentor from Florida Bible Institute, Ruth was the daughter of medical missionaries to China and remained a devoted partner throughout their 64-year marriage until her death in 2007. 

Ruth and Billy Graham

The couple had five children: Virginia "Gigi" (1945), Anne (1948), Ruth (1950), Franklin (1952), and Nelson Edman "Ned" (1958). Due to Graham's extensive travel for crusades, Ruth primarily managed the household and raised their children, often single-handedly, while living near her parents in Montreat, North Carolina. 

Graham maintained close relationships with his core ministry team, including Cliff Barrows, George Beverly Shea, Tedd Smith, and Grady Wilson, who stayed with him for over 40 years. 

He also developed significant friendships with world leaders and celebrities, always using these relationships as opportunities to share his faith.  He was also a spiritual confidant to every U.S. president from Harry Truman to Barack Obama. His close friendships with presidents like Dwight D. Eisenhower and Richard Nixon were particularly well-documented.

Despite his fame, Graham prioritized his family relationships and often expressed gratitude for Ruth's sacrifice in allowing him to travel extensively for ministry.

MONEY AND FAME Graham maintained strict financial integrity throughout his ministry, establishing rules early in his career to avoid the financial scandals that destroyed other evangelists. He incorporated the Billy Graham Evangelistic Association as a non-profit organization in 1950 and insisted on outside auditors and transparent financial practices. His organization was known for its financial transparency and responsible stewardship of donations.

 Despite the massive income generated by his crusades and media presence, Graham claimed to receive only the salary of an ordinary minister throughout his career. He once said, "If a person gets his attitude toward money straight, it will help straighten out almost every other area in his life".  His organization was known for its financial transparency and responsible stewardship of donations.

Graham earned respect across denominations, and even outside the church, receiving honors such as a star on the Hollywood Walk of Fame and an honorary knighthood in 2001.

FOOD AND DRINK  Graham was known to enjoy simple, home-cooked Southern meals.

In 1933, Graham’s father forced him and his sister Catherine to drink beer until they vomited. The harsh lesson worked—they both disliked alcohol for the rest of their lives. (2)

MUSIC AND ARTS Graham regularly featured gospel musicians in his crusades, including his longtime associate George Beverly Shea, whom he recruited in 1944 and who remained with his ministry for decades. Other notable musicians who performed at Graham's crusades included the Gaither Vocal Band, Michael W. Smith, and Linda McCrary-Fisher. Graham was inducted into the Gospel Music Hall of Fame in 1999 in recognition of his contributions to Christian music. 

Surprisingly, Graham showed genuine curiosity about contemporary culture, even attending a music festival featuring the Grateful Dead, Canned Heat, and Santana in the late 1960s to understand youth culture. He went "undercover" at the festival, listening to conversations and trying to understand what young people were searching for spiritually, demonstrating his openness to engaging with diverse musical expressions. (1)

LITERATURE Graham's reading habits were established early in childhood when he spent hours in the family farm's hayloft reading books on various subjects. Throughout his life, he remained an avid reader, which contributed to his broad knowledge and ability to connect with people from different backgrounds. 

Graham was a prolific author, writing numerous books throughout his ministry. His literary works included devotional books, theological writings, and autobiographical accounts of his ministry experiences. Notable titles include Peace with God (1953), Angels: God's Secret Agents (1975), and his autobiography, Just As I Am (1997). His final book, Nearing Home, was published in 2011, reflecting on aging and approaching death with Christian hope. He also founded Christianity Today magazine in 1956.

NATURE Growing up on a 300-acre dairy farm in North Carolina, Graham developed a deep connection with nature that remained with him throughout his life. His childhood home in Montreat was surrounded by mountains, streams, and forests, providing a natural setting that he found conducive to prayer and reflection. The Graham family property included walking trails, streams with wooden bridges, and mature trees that offered peaceful settings for contemplation. 

Graham often spoke of finding God in nature and used natural illustrations in his preaching. His choice to make Montreat his permanent home reflected his appreciation for the natural beauty of the North Carolina mountains.

PETS He and his family had pets while living on their farm and later at their mountain retreat/ In 2008, he was hospitalized after tripping and falling over one of his dogs.

HOBBIES AND SPORTS Graham's primary recreational passion was golf, which he used both for relaxation and as a tool for building relationships with influential people, including several U.S. presidents such as Dwight Eisenhower, John F. Kennedy, Lyndon Johnson, Richard Nixon, Gerald Ford, and Ronald Reagan. During his time at Florida Bible Institute, he worked as a caddy at the school's golf course, which gave him access to renowned Christian scholars and administrators. Despite his love for the game.

In his youth, Graham had dreams of playing Major League Baseball and was a decent player, batting left-handed with a fair throwing arm, though he showed no signs of superstar potential. He played baseball throughout high school, mostly as a weak-hitting first baseman, and even played in a handful of semi-professional games after high school. His meeting with Babe Ruth as a youth left such an impression that he refused to wash his hands for three days afterward.

SCIENCE AND MATHS Graham embraced technological innovations for evangelistic purposes, pioneering the use of mass media for religious broadcasting. His organization's growth from a small team to one with 80 full-time staff members by 1954 demonstrated his ability to understand and implement systematic organizational principles.

MINISTRY Billy Graham’s ministry lasted for more than six decades, and during that time he more or less redefined what evangelism looked like in the modern world. It’s easy to get lost in the scale of it all—stadiums full of people, television satellites beaming his words into every corner of the globe, choirs big enough to make you wonder whether anyone was left in the congregation to listen. But at the heart of it, Graham never stopped seeing himself as a nervous farm boy from North Carolina who once rattled through four sermons in eight minutes because he didn’t know what else to do.

The Billy Graham Evangelistic Association, founded in 1950, was meant to be a tidy little structure to keep the books straight for a radio programme. Graham didn’t even want his name on it, but his business manager insisted—apparently, people might not trust “The Evangelistic Association of George from Accounts.” The purpose statement was refreshingly unpretentious: “To spread and propagate the Gospel of the Lord Jesus Christ by any and all means.” Which, to be fair, is exactly what they did.

The crusades (later renamed “missions” when the word “crusade” started to sound a bit dodgy) were at once simple and spectacular. Rent a stadium, pack it with thousands, preach a plain Gospel sermon, and invite people forward while the choir sang "Just As I Am." Critics accused the hymn of emotional manipulation, so Graham tried preaching without it for thirty nights in London in 1966. The people still came forward in silence. He took that as proof that it was the Holy Spirit at work rather than Charlotte Elliott’s hymn—though the tune probably didn’t hurt.

Media, too, seemed to bend to his service. His radio show, Hour of Decision, began after he half-joked that he’d only start one if $25,000 came in by midnight. It did—almost to the penny—and off he went. From there, Graham embraced television long before most preachers dared, even managing to preach in colour in Australia in 1959. By 1995, he was preaching in Puerto Rico to audiences in 185 countries at once, translated into 116 languages, which must have given even the angels a headache.

His preaching style was as direct as his farm-boy manner. “The Bible says…” became his signature phrase, and people listened. He spoke fast, with an accent he was once embarrassed about, but it worked. Theologians noted his solid grounding in biblical authority, but most people just heard a man who spoke as if the news were too urgent to dress up in fancy language.

And there were the smaller, quieter stories too: the young Graham paddling a canoe to a river island so he could practice preaching to birds and alligators, or deciding, at Forest Home Christian camp in California, that the Bible was the perfect Word of God. There was his act of pulling down the ropes dividing black and white audiences at a 1952 revival in Mississippi, and his friendship with Martin Luther King Jr., which grew from there. There was the moment in 1955 when a reporter asked him why God had chosen him, and Graham—utterly without pretence—said, “That’s the first question I’m going to ask Him in Heaven.”

Of course, he wasn’t above humour. In 1969, when a student asked him to pray for “good friends and good weed,” Graham replied, “You can also get high on Jesus.” He probably said it with a smile, but the lad never forgot it.

By the end, Graham had preached to more than 210 million people across 185 countries. His last North American crusade was in New York in 2005, frail in body but still insistent on proclaiming Christ. Looking back, the astonishing thing isn’t really the size of the enterprise, but the way Graham seemed to carry it all with a kind of unassuming steadiness. As he liked to remind himself, he was only the donkey that carried Jesus into Jerusalem—the applause was never for him, but for the one he pointed to.

PHILOSOPHY & THEOLOGY  Billy Graham was converted during a revival meeting in Charlotte, North Carolina, led by evangelist Mordecai Ham. Graham was 16 years old (just six days before his 16th birthday on November 7) when he made his decision for Christ on November 1, 1934. On the final verse of the hymn "Almost Persuaded, Now to Believe" (after four verses of "Just As I Am"), Graham walked forward to the front, "feeling as if I had lead weights attached to my feet". He filled out a card marking "Recommitment," though he later described this as his real commitment to Jesus Christ. (5)

Graham had initially been antagonistic toward Ham's meetings, calling them a "religious circus" and saying he didn't want anything to do with the evangelist. He was persuaded to attend by Albert McMakin, a farm employee

Graham's theological foundation was firmly rooted in biblical authority, with his characteristic phrase "The Bible says..." becoming his trademark. He preached a simple but profound message centered on human sinfulness, God's love, and salvation through Jesus Christ's death and resurrection. Graham emphasized the substitutionary atonement of Christ and preached it "in its Reformation dimensions as propitiating the wrath of the holy Lord". 

His theology included belief in total depravity, though he maintained that this didn't mean humans were without any good qualities.  He believed strongly in the inspiration and authority of Scripture, making biblical revelation central to his message rather than alternative forms of divine revelation. 

His evangelistic methodology required certain theological elements in every sermon: the cross and resurrection, God's love, the reality of sin, conviction of sin and righteousness, and the human response of repentance and faith.

POLITICS Billy Graham’s political identity was complicated and shifted over time. Though originally a Democrat, like many Southerners of his generation, he began leaning Republican after forging a close friendship with Richard Nixon in the 1940s. He openly supported Nixon in 1960 and again in 1968, marking his break with the Democratic Party. Despite these ties, Graham insisted that Jesus had no political party and never formally joined one himself. 

Over the decades, he built personal relationships with presidents from both sides of the aisle, serving as an unofficial spiritual counselor to 13 U.S. presidents from Harry Truman to Donald Trump. 

President Barack Obama and Graham meet at Graham's home in April 2010

The release of Nixon White House tapes in 2002, which captured him making remarks with anti-Semitic overtones, deeply troubled Graham; he later apologized and said he could not remember saying such things. In the years that followed, Graham deliberately stepped back from politics, distancing himself from the religious right his son Franklin embraced. 

Graham opposed abortion and same-sex marriage but also advocated for global nuclear disarmament.

SCANDAL Graham maintained a remarkably scandal-free public life throughout his six-decade ministry, in stark contrast to many other televangelists of his era. The most significant controversy involved his appearance in secretly recorded Nixon White House tapes released in 2002, which revealed conversations with anti-Semitic undertones. When confronted with these recordings, Graham stated he could not recall making such statements but issued a public apology. 

His relationship with Richard Nixon also drew criticism, particularly his support for the Vietnam War and his political endorsements. 

Graham faced criticism during the civil rights era for his cautious approach to racial issues, with some scholars arguing he failed to take a strong enough stand against segregation, though he did integrate his crusades and invite Martin Luther King Jr. to preach with him. 

Despite these controversies, Graham's personal integrity remained largely intact, and he avoided the financial and sexual scandals that destroyed other prominent religious figures of his time.

MILITARY RECORD Graham had no formal military service record, though he intended to serve as an Army chaplain during World War II. After marrying Ruth in 1943, he planned to become an Army chaplain but fell seriously ill with mumps in 1944, and by the time he recovered, the war was nearly over and the opportunity had passed. 

Despite not serving in the military, Graham maintained a lifelong dedication to ministering to armed forces personnel. He made significant visits to troops during the Korean War in 1952, traveling to front-line positions and field hospitals to preach and pray with soldiers. 

Graham made two notable Christmas visits to Vietnam troops in 1966 and 1968, visiting aircraft carriers, air bases, hospitals, and jungle outposts, always stating his purpose was purely spiritual rather than political. 

He preached at military academies including West Point, Annapolis, and the Air Force Academy, and in 1960 conducted a service for 7,000 military personnel and civilian workers in the Pentagon's inner courtyard. 

Graham received the Sylvanus Thayer Medal from West Point in 1972, the academy's highest honor for non-graduates, recognizing his embodiment of "Duty, Honor, Country".

HEALTH AND PHYSICAL FITNESS Graham maintained good health through much of his ministry but experienced increasing health problems in his later years. In 2000, he was diagnosed with Parkinson's disease and also developed a hydrocephalus-like condition causing excess fluid on his brain. He had a shunt installed in 2000 to drain the excess fluid, which was updated in 2008 during a 28-minute surgical procedure. 

Graham suffered from prostate cancer and experienced intestinal bleeding in 2007 that required a two-week hospitalization. 

He also developed macular degeneration and hearing loss that largely confined him to his home in his final years. In 2011, at age 93, he was hospitalized for pneumonia. 

Despite these ailments, Graham lived to the remarkable age of 99. His longevity was attributed partly to his active lifestyle in earlier years and his positive outlook rooted in his faith.

HOMES Graham's primary residence for most of his adult life was in Montreat, North Carolina, a small mountain community about 30 minutes from Asheville. He and Ruth initially lived with her parents, Dr. and Mrs. Bell, before purchasing their first independent home at 198 Mississippi Road in Montreat in the late 1940s. Built around 1900, the 2,564-square-foot house featured four bedrooms and two bathrooms, honey-colored shiplap siding, and sat on a third of an acre shaded by mature trees. The property included stone patios, winding trails, and streams crossed by wooden bridges. It was here that the Grahams raised their children during Billy’s most pivotal ministry years, including his landmark Los Angeles Crusades and his first tour of England.

The family moved from this house in 1957 but continued to use it for office space (housing Christianity Today publication offices) and later as a vacation rental. This property was sold in 2021 for $750K and is now operated as "Billy's Home Place," a retreat center for pastors. 

In 1957, the Grahams moved to a larger property higher up on the mountainside in Montreat for more privacy, as tourists had been found "peering through his windows" at their first Montreat home. This became Billy Graham's primary residence for the remainder of his life. 

TRAVEL Graham's first international trip was in 1946 when he joined a Youth for Christ team on a 46-day tour to Britain and Europe. By the mid-1950s, Graham had traveled throughout Europe and Asia, with his international outreach shaping his domestic crusades. His 1954 London Crusade brought him international recognition, followed by crusades across Europe, including Germany, Finland, Sweden, Netherlands, and France. 

Graham conducted crusades in over 185 countries and territories, reaching audiences from Seoul, South Korea (where he addressed 1.1 million people) to small villages around the world. His travels included multiple visits to Communist countries, including groundbreaking trips to the Soviet Union. 

Graham's 1959 tour of Australia and New Zealand was particularly significant, with more than 3 million people attending his events—nearly a third of Australia's population at the time. 

His international ministry was supported by sophisticated logistics, with his team coordinating massive crusades requiring careful planning of venues, transportation, and local church cooperation.

DEATH Billy Graham died peacefully in his sleep at his Montreat, North Carolina home on February 21, 2018, at the age of 99. His death marked the end of an era in American evangelicalism, with tributes pouring in from around the world. Graham became only the fourth private citizen in U.S. history to lie in honor in the U.S. Capitol Rotunda, where President Trump and numerous officials paid their respects. 

His funeral on March 2, 2018, was held under a large white tent at the Billy Graham Library in Charlotte, evoking the "Canvas Cathedral" of his 1949 Los Angeles Crusade that launched his career. The service was attended by President Trump, Vice President Pence, and about 2,000 other mourners, with internet livestreams allowing millions more to watch. His simple pine casket was made by inmates at Angola State Penitentiary in Louisiana, reflecting his desire for simplicity even in death. 

Graham was buried next to his wife Ruth in a memorial prayer garden at the Billy Graham Library.

APPEARANCES IN MEDIA Graham appeared in numerous films, television programs, and other media throughout his career. His production company, World Wide Pictures, founded in 1951, produced many Christian films including Mr. Texas (1951), The Restless Ones (1965), The Hiding Place (1975), and The Prodigal (1983). 

Graham himself appeared in at least 16 films as an actor, often playing himself, and served as writer and producer for several projects. He made guest appearances on television shows including Rowan & Martin's Laugh-In in 1969. 

Graham was the subject of numerous biographical documentaries and appeared in archive footage for many other productions.

His crusades were regularly broadcast on television and radio, with his Hour of Decision radio program running for decades. 

In addition to his media appearances, Graham wrote or contributed to multiple books and was featured in countless magazine articles and news reports throughout his ministry.

ACHIEVEMENTS Preached to more than 215 million people.

Founded the Billy Graham Evangelistic Association.

Created Christianity Today magazine.

Earned a star on the Hollywood Walk of Fame (the 1,000th star).

Received an honorary knighthood (KBE) in 2001.

Inspired generations of evangelists and reshaped global evangelical Christianity.

Sources: (1) Harvest (2) Encyclopaedia of Trivia (3) Jimbuchan.com (4) Decision magazine (5) Billy Graham Library