NAME Edward William Elgar
WHAT FAMOUS FOR Edward Elgar is renowned as one of England's greatest composers, celebrated for works such as the Enigma Variations, Pomp and Circumstance Marches, The Dream of Gerontius, and the Cello Concerto in E minor. He played a pivotal role in the revival of English classical music during the late Romantic period.
BIRTH Elgar was born on 2 June 1857, in the village of Lower Broadheath, outside Worcester, England.
FAMILY BACKGROUND His father, William Henry Elgar, owned a music shop in Worcester and tuned pianos. His mother, Ann Greening Elgar, was the daughter of a farm worker and had an interest in literature and the arts; she had converted to Roman Catholicism shortly before Edward's birth. Edward was the fourth of seven children. The family environment was rich in music due to his father's profession.
CHILDHOOD Elgar grew up surrounded by music due to his father's profession. He began learning violin and piano at an early age and was largely self-taught beyond these lessons. By age 10, he was already composing music for family plays. (1)
He explored the Worcestershire countryside, which deeply influenced his later work.
EDUCATION Elgar received general education at Littleton (or Lyttelton) House school near Worcester until he was 15. Musically, however, he was largely self-taught, particularly in composition, harmony, and orchestration, absorbing knowledge from books in his father's shop and by studying scores. He did receive violin and organ lessons locally. He had no formal conservatory training.
CAREER RECORD Elgar began his career as a freelance musician, teaching violin and piano while composing locally.
His breakthrough came with the Enigma Variations in 1899.
He later became the first Professor of Music at the University of Birmingham (1905–1908) and was knighted in 1904.
Elgar's career peaked with works like The Dream of Gerontius and his symphonies, but he composed less after his wife's death in 1920
He became Master of the King's Musick in 1924.
APPEARANCE Elgar was tall and had a distinguished appearance, often described as resembling a country squire or retired military officer. He is particularly noted for his prominent, sweeping moustache in later photographs.
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Elgar, c. 1900 |
FASHION He preferred Edwardian-style clothing, including tailored suits and cravats, reflecting his status as a gentleman composer. (2)
CHARACTER Elgar had a complex personality. He was prone to bouts of depression, self-doubt, and insecurity ('ennui'), even after achieving fame. However, he could also be jovial, sociable, and possessed a strong sense of patriotism. He was sensitive to criticism and deeply desired social acceptance and recognition.
SPEAKING VOICE Recordings reveal Elgar's voice as refined and articulate, characteristic of an educated English gentleman
SENSE OF HUMOUR Elgar had a playful side His Enigma Variations is widely regarded as a masterpiece of musical humor. Each variation is a musical caricature of his friends, blending affectionate tributes with lighthearted portrayals. For example:
Variation IV (W.M.B.) humorously depicts William Meath Baker's energetic personality, mimicking the sound of a door slamming shut.
Variation XI (G.R.S.) portrays George Robertson Sinclair’s dog Dan tumbling into the river, complete with musical imagery of splashes and barking. (3)
Elgar described the Enigma Variations as “commenced in a spirit of humor,” though the overarching theme remains solemn. He embedded cryptic puzzles within the music, such as spelling “GAG” using notes G-A-G, which he saw as a playful prank.
Elgar delighted in cryptography and riddles, creating puzzles like the Dorabella Cipher and embedding secret codes in his compositions. These puzzles often baffled his friends and remain unsolved to this day.
Elgar referred to his jokes as “japes” and often incorporated them into his interactions. For instance, he signed letters to Dora Penny (a close friend) using musical notes from the Enigma Variations, teasing her curiosity about its hidden meaning.
Elgar’s humor extended beyond music. He was known for his mischievous personality in social settings, entertaining friends with clever quips and lighthearted anecdotes. His playful nature added warmth to his otherwise reserved demeanor. (4)
RELATIONSHIPS Edward Elgar and Caroline Alice Roberts were married on 8 May 1889. A published novelist and poet, Alice was one of his pupils and came from a higher social standing
The ceremony took place at Brompton Oratory in London. It was a shortened Catholic service, reflecting Elgar's devout Roman Catholic faith. The wedding was a modest affair, with only a few family members and close friends in attendance due to the disapproval of Alice's Anglican family, who objected to the match on social and religious grounds. Following the ceremony, the couple celebrated with a wedding breakfast at the home of Alice's friend, Mrs. Marshall.
As engagement gifts, Elgar composed Salut d'Amour for Alice, while she gave him her poem The Wind at Dawn. After their wedding, they spent a three-week honeymoon in Ventnor on the Isle of Wight
Elgar's marriage to Alice was crucial in his career. Her unwavering belief in his genius, coupled with her management of his affairs, was vital to his success.
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Edward and Alice Elgar, c. 1891 |
Alice was a devoted Catholic and, when she died in 1920, Edward implemented her wish to be buried in the cemetery at St. Wulstan's Roman Catholic Church in Little Malvern, Worcestershire.
They had one daughter, Carice Elgar Blake (1890–1970).
Many of his friendships are immortalised in the Enigma Variations.
MONEY AND FAME Elgar struggled financially for much of his early life. Fame arrived relatively late, in his early forties, with the Enigma Variations. Although he achieved significant national and international recognition, receiving a knighthood (1904), the Order of Merit (1911), and a baronetcy (1931), he often worried about his financial security and social status.
FOOD AND DRINK He enjoyed traditional British cuisine and was partial to simple meals rather than extravagant fare.
Elgar once orchestrated a humorous 40-second cantata praising the virtues of Worcestershire sauce, showcasing his ability to find humor in everyday life. (5)
COMPOSING CAREER Edward Elgar’s rise from a self-taught tinkerer in a small Worcestershire town to the grand old man of English classical music is one of those marvelous tales of persistence, talent, and—let’s be honest—sheer bloody-mindedness. His music, rich in sweeping melodies and noble grandeur, didn’t just give England a long-overdue classical revival; it made the nation stand up a little straighter, at least whenever Pomp and Circumstance played.
Elgar began composing at the age of ten, which is impressive, though one suspects his early audience was limited to the family dog and any nearby siblings too slow to escape. Lacking a formal musical education, he spent years scraping together a living as a violin teacher, freelance musician, and conductor in Worcestershire—learning his craft through a mix of trial, error, and what must have been an astonishing amount of self-confidence.
During the 1880s and 1890s, he wrote music for local choral societies and festivals, producing works with suitably heroic titles—The Black Knight, King Olaf, and Caractacus. These pieces earned him a solid regional reputation but failed to catapult him into the national spotlight. It was the sort of modest success that might have convinced a lesser man to give up and open a tea shop.
Between 1900 and 1920, Elgar was unstoppable. His Pomp and Circumstance Marches (1901–1930) became instant crowd-pleasers, particularly March No. 1, which, with the addition of some rousing lyrics, became Land of Hope and Glory—a song so triumphantly British that one can practically hear a thousand Union Jacks flapping in the breeze whenever it is played.
Other works followed: Cockaigne (In London Town) (1901), a cheerful musical postcard of the capital; Falstaff (1913), a Shakespearean symphonic study; and two symphonies that cemented his reputation as England’s answer to the great European composers. His Violin Concerto (1910) and Cello Concerto (1919) became masterworks of the Romantic tradition, the latter suffused with an aching melancholy that seemed to foretell the decline of his creative years.
He also dabbled in choral epics, none more ambitious than The Dream of Gerontius (1900), a vivid depiction of a soul’s journey to the afterlife, which was so complex it left the chorus at its Birmingham premiere in a state of mild panic. Undeterred, Elgar followed it with two more religious oratorios, The Apostles (1903) and The Kingdom (1906), proving that while he may have lacked formal training, he certainly didn’t lack ambition.
Elgar’s later years were quieter, and after the death of his beloved wife Alice in 1920, his creative energy waned. He toyed with projects—a third symphony, a piano concerto, an opera—but they remained unfinished, his enthusiasm perhaps lost somewhere in the Worcestershire countryside.
He did, however, embrace modern technology with enthusiasm, becoming one of the first major composers to conduct his works for the gramophone, ensuring that future generations would hear Pomp and Circumstance in all its brass-and-glory splendor, even if he himself had mostly stepped away from the limelight.
Elgar remains one of Britain’s most beloved composers, his music synonymous with national pride, nostalgia, and a sense that everything might just be all right if we simply stand up straight and hum Nimrod. His influence endures, not just in concert halls but at graduation ceremonies, state occasions, and, of course, any time the British feel like being particularly British.
Not bad for a chap from Worcestershire who never had a proper lesson in his life.
MUSIC AND ARTS A lover of music from an early age, Elgar admired composers like Schumann, Brahms, and Wagner.
He was the first composer to embrace gramophone recordings, conducting many acoustic recordings between 1914–1925.
LITERATURE Elgar was well-read and had a strong interest in literature, particularly poetry. This is evident in his choice of texts for vocal works, most notably Cardinal John Henry Newman's poem for The Dream of Gerontius. His wife Alice also influenced him as an author herself
NATURE Elgar had a profound love for the English countryside, especially the Malvern Hills region where he lived for many years. The landscape provided significant inspiration for his music.
PETS Elgar was a known dog lover, often photographed with his pets, which included spaniels (like Marco) and terriers (like Mina). He famously took his dogs on drives in his open-topped car—all wearing goggles. (6)
HOBBIES AND SPORTS Outside music, Elgar had varied interests. He was an enthusiastic cyclist in his younger days, horse racing (often using pseudonyms with bookmakers), football (a Wolverhampton Wanderers fan, he often cycled over 40 miles from his home in Malvern, Worcestershire, to watch his team play), and cricket. He even wrote a football song in praise of Wolverhampton Wanderers forward Billy Malpass titled "He Banged The Leather For Goal." (6)
Elgar enjoyed walking and kite-flying, particularly on the Malvern Hills. He pursued amateur chemistry, devising his own "Elgar Sulphuretted Hydrogen Apparatus" and conducting experiments at home.
He also played golf, and billiards.
SCIENCE AND MATHS Elgar had a keen interest in chemistry and set up a home laboratory called "The Ark," where he conducted experiments and made soap. He also attempted to invent a self-adjusting kite but accidentally caused property damage instead. (6)
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Image by ChatGBT |
PHILOSOPHY & THEOLOGY Raised a Roman Catholic due to his mother's conversion, Elgar's faith profoundly influenced his major choral work, The Dream of Gerontius. Though he wrestled with theological questions throughout his life., Catholic themes remained important in his work.
POLITICS Elgar generally held conservative and patriotic views, typical of his aspired social standing in the Edwardian era. His music, particularly the Pomp and Circumstance Marches, became strongly associated with the British Empire, reflecting and enhancing the national mood of the time.
SCANDAL There were no major scandals associated with Elgar's life; however, his rise from modest beginnings to fame occasionally drew criticism from social elites who viewed him as an outsider
MILITARY RECORD Elgar did not serve in the regular armed forces. During World War I, despite being too old for active service (he was nearly 60), he joined the Hampstead Volunteer Reserve of the army (a local defence force similar to the later Home Guard) in 1914 and composed patriotic music, such as The Spirit of England.
HEALTH AND PHYSICAL FITNESS Elgar enjoyed outdoor activities like walking and cycling, suggesting reasonable fitness for much of his life. However, he suffered recurring bouts of depression and what he termed 'ennui'. He died from colorectal cancer.
HOMES Born in Lower Broadheath, Elgar lived in various residences throughout his life, including several in Worcester, Malvern (Forli, Craeg Lea), Hereford (Plas Gwyn), London (Netherhall Gardens in Hampstead), and Sussex (Brinkwells). He returned to Worcester near the end of his life, living at Marl Bank and that final home near Malvern Hills became a place of solace for him after Alice's death.
His birthplace in Broadheath is now preserved as a museum.
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Elgar's birthplace, The Firs, Lower Broadheath, Worcestershire |
TRAVEL He travelled frequently within the UK for conducting engagements. He also travelled abroad, notably making several trips to Italy, which inspired works like the overture In the South (Alassio). He also visited Germany and the United States to conduct his music.
DEATH Sir Edward Elgar died of colorectal cancer on February 23, 1934, aged 76, at his home, Marl Bank, in Worcester.
Edward Elgar's funeral was held on Monday, February 26, 1934, at St. Wulstan's Roman Catholic Church in Little Malvern, Worcestershire, fulfilling his wish for a modest and local ceremony rather than a grand London event. The service was simple and intimate, attended by only a small group of close friends and family. There were no musical tributes or formal mourning attire, reflecting Elgar’s desire for simplicity.
The service was conducted by the Reverend G.C. Alston, with the priest dressed in robes of black and gold. Lighted candles surrounded the purple-covered coffin, and incense smoke rose into the air as holy water was sprinkled over the grave. The ceremony lasted only a few minutes before mourners dispersed into the churchyard overlooking the Severn Valley and Malvern Hills, which Elgar loved deeply. As they left, snowflakes began to fall gently onto his plain oak coffin.
Elgar was buried next to his wife, Alice, who had died 14 years earlier in 1920. Their graves are located in the cemetery of St. Wulstan's Church, a site that continues to attract visitors paying homage to one of England’s greatest composer. (1)
APPEARANCES IN MEDIA Elgar's music is frequently used in films, television, advertisements, and at ceremonial occasions (especially Pomp and Circumstance March No. 1). His life has been depicted in biographical films, most notably Ken Russell's acclaimed BBC film Elgar (1962), and in stage plays.
ACHIEVEMENTS Elgar revitalized English classical music with internationally acclaimed works like Enigma Variations. He received numerous honours during his lifetime, including knighthood (1904) and the Order of Merit (1911).
Sources (1) Interlude, (2) Classic FM (3) Winspear Center (4) Colorado Springs Philharmonic (5) NPR (6) Encyclopaedia of Trivia